Genre studies Unit-IV The Satire
The Satire
The satire is found in both poetry
and prose. It has no set form. A verse satire might be written as an ode, an
elegy, a ballad, or anything else.
Origin
The satire is of classical origin.
The plays of the Greek Aristohanes are masterpieces. Its chief exponents in
Latin literature were Horace, Persius and Juvenal, who were imitated all over
Europe during and after the Renaissance. They set the model for Elizabethan and
Augustan satire in England.
Satire may be defined as a literary
composition whose principal aim is to ridicule folly or vice. Some of the
notable satires in English poetry are Dryden’s “Absalom and Achitophel”, “Mac
Flecknoe”, Butler’s “Hudibras”, Pope’s “Dunciad” and Byron’s “Vision of
Judgement”.
Essentials of a Good Satire
The satire may be inspired by either
a personal grievance or a passion for reform. It is an attack on a person or
group of persons or on social evil or foil. It is primarily light literature,
hovering at times on the confines of burlesque. It is intended to ridicule, not
to abuse.
The satire, like an arrow, has to
take the shortest route to its target. It must be terse and concise so as to
say a great deal in a brief space. Prolixity destroys its effect.
Subjects of the satire
The
satirist’s trade is censure. He condemns whatever he does approve, and each age
has had its own set of vices to ridicule. The satire, like the drama, holds the
mirror up to nature, and lashes out at contemporary follies and foibles.
Chaucer and Langland attacked corruption in the church and other vices such as
dishonesty on the part of traders and men of law. Victorian era was a great
period of verse satire. Personal attacks have gone out of fashion, but social
conditions and problems and every aspects of modern civilization, offer countless
subjects to the satirist, and the plays of Bernard shaw are as an example of
how widely and effectively a gifted writer.
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