Genre Studies - Unit -III Free Verse

 Free Verse (20th Century)

·         Free from limitations of regular meter and rhythm, does not rhyme with fixed forms.

·         Do not follow rhyme scheme rules. Do not have any set of rules.

·         There will be simile, personification, metaphor, onomatopoeia, assonance etc.

·         Poem Lines from T.S. Eliot’s “The Love Song of Alfred Prufrock”

“Let us go then, You and I,

When the evening is spread out against the sky”

·         Popular poets used this type of verse are, Ezra Pound, D.H. Lawrence and Walt Whitman (father of Free verse)

Free Verse

Definition

            Free Verse is also known as “vers libre” is modern literary device adopted by 19th and 20th century poets. It is called “free verse” because here the poets are free to use the words as they like. They are not bound by any fixed norms of writing poetry. Robert Frost once commented that writing free verse was like “Playing tennis without a net”.

            Walt Whitman, an American poet is considered as the Father of Free Verse in English Poetry. He published ‘Leaves of Grass’ in 1855 which contained free verse poetry. In traditional poetry, the poets used to make use of various meters and rhyming patterns in order to bring rhythm and melody in poetry. But 19th century onwards, the modern poets started using free verse in their poetry.

Traditional Poetry

“Sigh no more, ladies, sigh no more.

Men were deceivers ever,

One foot in sea, and one on shore,

To one thing constant never.”

Modern Poetry

“A touch of cold in the Autumn night-

I walked abroad,

And saw the ruddy moon lean over a hedge

Like a red-faced farmer...”

Features

·         No regular meter

·         No rhyming pattern

·         Use of natural rhythmic words and phrases

Examples

Carl Sandburg’s poem ‘Fog’

“The fog comes

On little cat feet.

It sits looking

Over harbour and city

On silent haunches

And then moves on.”


Major Exponents

Walt Whitman, T.E. Hulme, f.S. Flint, Sylvia Plath, T.S. Eliot, Ezra Pound etc.


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