Genre Studies- Unit- II Elizabethan Age

 Unit- II

Elizabethan Age

Queen Elizabeth (1558-603)

  • She was the Last Tudor monarch; reigned 44 years. 

  • She became  cult figure, represented the glory of England.

  • She successfully defeated all plots against her.

  • Great military victory over the Spaniards (1588)

  • She led England to be one of the most powerful countries in the world.

  • She was the Epitome of beauty and greatness.

London in the Elizabethan Age

  • London was the center of culture and commerce beside the Thames.

  • Growing population; dominant merchant class

  • A large number of poets and dramatists.

  • Drama was the most popular entertainment.

socio- political Scenario

  • Despite Renaissance and Humanism, Elizabethan society wss still primitive in science and technology.

  • Printing was a luxury

  • Even local travel was arduous and limited.

Elizabethan Theatre: Beginnings

  • Early 16th century travelling actors considered vagabonds and thieves. Later, licenses were given to nobles for for maintaining actors. This, acting troupes come into being.

  • Acting troupes played in the courtyards of taverns called Inn-yards. Temporary stage erected.

  • The first permanent theatre was James Burbage's " The Theatre"

Elizabethan Theatre: Structure

  • Round, wooden, roofless building

  • 3 galleries of seats

  • The pit (no seats), where the "groundings" stood, cost a penny

  • Main stage- 40 feet wide, 27 feet projection into the pit.

  • Recessed inner stage( curtains and balcony)

  • Music room

  • Provisions for heaven and Hell.

Drama in the Elizabethan Age

  • After defeating the Spanish Armaida, England became intensely patriotic, and this spirit reflected in the plays

  • Queen Elizabeth was directly involved with the stage; and even decided which plays were to be acted.

  • Playwrights were practical men, bent on making a living.

  • Plays were written to be acted, not read.

  • Once a playwright sold his manuscript, he had no right to it.

  • There was increasing commercialization of the stage; the artists were pressurized to excel.

  • By the Jacobean period, only members of the royal family were allowed to patronize artist.

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