Africa - David Diop
Africa
-David
diop
About
the poet
David Diop was born in Paris in 1966 to a French mother and Senegalese father. He received the 2021 International Booker Prize for his novel At Night All Blood is Black as the first French author. He specializes in 18th Century French and Francophone African literature. His poems are Vultures, Africa and Close to You.
About the poem
The poem “Africa,” also
known by its first line, “Africa my Africa,” was first published in French as
“Afrique” in David Diop’s only collection of poetry, Coups de Pilon (“Pounding”) in 1956. It was published
by the Pan-African quarterly literary magazine Présence Africaine.
This journal was highly influential in the Pan-Africanist movement, the
decolonization struggle of former French colonies, and the Negritude movement. The
translated poem is taken from the book “Hammer Blows and Other Writings”
published in 1973.
In this poem, Diop, sitting
in France, expresses his admiration for Africa. He became “the voice of the
people without voice”, such as enslaved and colonized Africans. He was a
prominent figure of the Négritude movement, which was in vehement opposition to
colonialism. His Coups de Pilon poems, including “Africa,”
kindle the hope for free Africa and show his detestation toward the colonizers.
The pride in the African spirit, an assertion of African identity, ideas of
home, and a sense of belonging are part of this piece.
Summary
“Africa” is a free-verse lyrical ode to Africa and its
people. It consists of a single stanza containing 23 lines. The tone of
the poem is filled with the poet’s admiration and empathy for Africa and its
people. His voice reflects a sense of nostalgia for its past. When the speaker
thinks about the suffering of enslaved people, his tone turns sad yet reflects
a sense of pride. Africa was colonized for an extended period. While
Diop was writing this poem, imperialism was at its height in Africa. Protests
and liberation movements were on the rise, and Diop, even being in France,
showed his support for such revolutionary events through writing.
Africa my Africa
Africa of proud warriors in ancestral savannahs
Africa of whom my grandmother sings
Diop expresses his love for Africa. He is aware
of his lineage and became familiar with the glorious past of his nation from
the tales his grandmother used to tell. That had made him keep the essence of
Africa alive. He evokes the spirit of Africa and proclaims his identity:
Africa is his own, its people are his own. No matter how colonizers see his
country, he still takes pride in being an African. He also takes
pride in the spirit of tribal warriors who bravely fought in the open savannahs
and tried to obstruct the invasion of heavily equipped colonizers. Though they
were under-equipped had traditional weapons, they still fought back to protect
their soil.
On
the banks of the distant river
“on the banks of the distant river” is
where Diop was born and brought up. His voice sounds sad and
reverberates the aching of his heart. The speaker has never known
Africa, having lived in France, but he is aware of the African “blood” gushing
through his veins. Diop symbolizes the “blood” as his true African identity.
Like blood caters sustenance to the body, the sense of cultural consciousness
keeps his spirit alive.
The blood of your sweat
The sweat of your work
The work of your slavery
Diop addresses Africa as a human being representing all
colonized Africans who irrigated fields for their white masters by putting in
back-breaking labor. The colonizers and their superiority complex subjugated
them and their culture. Diop refers to the beauty of their culture as
well as identity. The blood that flows in his veins is the same that runs
through all the Africans, who toil under the scorching sun, work tirelessly,
and serve under European slavers.
While the speaker thinks about Africa’s pain
under colonial rule, a voice reaches out to him. She points towards a tree,
“young and strong”, standing “amidst white and faded flowers”, to say that it
is the Africa he is searching for. The phrase “white and faded flowers”
portrays the colonizers’ culture in the dim light in order to contrast the glow
of his own culture.
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