Caribbean Literature- Summer Lightning by Olive senior
Short
Story
Summer
Lightning
- -Olive Senior
About
the Author
Olive Senior was born
in rural Jamaica in 1941. She edited the journal Social and Economic studies (1972-1977). In the year 1982, she
joined the Institute of Jamaica as an editor of the Jamaica Journal. In 1987, she won the Commonwealth Writers’ Prize
for her first collection of stories. She has published three collections of
poems, Talking of Trees (1985), Gardening
in the Tropics (1994) and Over the
Roofs of the world (2005). Her Short story Summer Lightning (1986) won the commonwealth Writers’ Prize. Her
first novel Dancing Lessons (2011) was
shortlisted for the 2012 Commonwealth Book Prize in the Canada region.
Characters
Ø The
boy (stands for all of Jamaica), the nameless main
character of the story
Ø The
aunt is the representative of colonial order
Ø The
Uncle represents the international business affairs
Ø The
old man, a stranger
Ø Brother
Justice (a representation of Rastafarian culture as well as justice),
a Rastafarian, his only friend.
Summary
The
main character of “Summer Lightning” is a boy who is taken from his parents to
live with his better-off Uncle and aunt. The boy has no name in the story. His
loneliness is mitigated only by his imagination. It helps him to create a world
of his own during the afternoons spent in the garden room, the only place where
he feels safe during thunderstorms. Even his parents were excluded from this
place. Brother Justice, a Rastafarian, the only human who has access to his
imaginary world. The old man comes to stay at the boy’s relative mansion.
Brother Justice suspects the man in sodomy as once the old man gave a wrong
attention to him when he was small. So he decides to keep an eye on the room,
hoping that God will give a sign if the boy is in danger. When the man decides
to abuse the boy, the boy has to decide the door from which direction he will
search for help. The three doors are the ways out for the boy when he is
threatened by the old man. One door leads to the living room, the domain of his
aunt and therefore the colonial heritage. She is not a biological relative to
the boy which enhances the distances. The second door leads to the side veranda,
seek the uncle’s help. As he stands for the international business relationship
with other countries, the side veranda is a place with lot of strangers. Besides,
the danger comes during summer lightning, when the aunt and the uncle usually
at a nap. Therefore, they are unlikely to hear the boy. He chooses the third
way leads to Brother Justice, a representation of Rastafarian culture, as well
as Justice. The boy hoped that he will see the sign and save the boy.
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